POV
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History of the Writing Group

In 1998, Obie-winner Ensler first visited the Bedford Hills Correctional Facility for Women. While she had long devoted her artistic and activist energies to helping homeless women and survivors of violence around the world, she had never before come into contact with women in prison. Ensler, who had previously taught at the university level, volunteered to be a writing instructor at Bedford. She quickly established powerful connections with the inmates. Ensler's method is not to distract the prisoners from their situation, but to ask them to go deeper into its causes, details and consequences. Ensler, known for her ability to get women to talk about things that would normally go unspoken, began her work at Bedford by creating a safe and contemplative environment for the women to explore the circumstances that had led them to prison. The writing group members confront the lives they've ruined, the families left behind and their own lives as they might have been. Gary Sunshine and film editor Madeleine Gavin (Sunday, Signs and Wonders, Manic) structured "What I Want My Words To Do To You" around the writing exercises that Ensler had assigned to the inmates. The exercises appear deceptively simple at first: inmates are asked to "Tell the facts of your crime." As the film progresses, the process of writing itself becomes a process of discovery and self-reflection. The inmates face painful truths about the choices that irrevocably changed the course of their lives. The filmmakers use the exercises — and the highly charged discussions they trigger — to reveal how much the women grapple with their own guilt. What resulted is a writing community that has flourished for over five years and continues to this day, due in large part to the remarkable trust the inmates place in Ensler. It has given rise to several theatrical performances of the inmates' writing, arranged by Ensler and playwright Gary Sunshine, that have been presented at the prison and at various other venues, including a benefit at Lincoln Center's Alice Tully Hall. A group of the country's top actors, including Mary Alice, Zoe Caldwell, Glenn Close, Ruby Dee, Hazelle Goodman, Marybeth Hurt, Phylicia Rashad, Rosie Perez and Marisa Tomei have donated their time and talent to these performances, some of which have raised significant funds for the prison's college education program. Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Genesis of the Documentary Judith Katz, a development executive for several film studios, attended an early performance of Ensler's workshop and was struck by the candor and lyricism of the inmates' work. She felt the writing profoundly challenged her idea of what a woman in prison was. Katz wanted this experience captured in a film. With the cooperation of Bedford Superintendent Elaine Lord, Directors of photography Dyanna Taylor (Common Threads) and Paul Gibson (Paris Is Burning) began to shoot sessions of Ensler's group, as well as the actors' performances. The inmates themselves, who reflect the vast political, economic, racial and educational diversity of the prison population, quickly learned to participate in the group as if the cameras were not present. The Documentary Participants in What I Want My Words To Do To You include: Throughout the film, the acclaimed group of actors appear briefly, performing excerpts of the inmates' exercises. Also included are short, revealing glimpses of a rehearsal session, during which the actors grapple with the approach to reading these texts. Here, Glenn Close admits that in her "actor's mind," she can imagine what murder might feel like, but connecting to the remorse of one woman who killed a senior citizen proves difficult. In the climax of the film, the writers, sitting among 300 of their fellow inmates in a sea of khaki green, listen as their words are read by the actors. The camera cuts back and forth between the performer and the writer, creating a complex dialogue that underscores the painful and necessary role the writing process has come to play in the inmates' struggle with their own guilt and responsibility. About the Programs at the Bedford Hills Correctional Facility In addition to the writing group, the Bedford Hills Correctional Facility operates several other programs, including: " ["post_title"]=> string(51) "What I Want My Words To Do To You: Film Description" ["post_excerpt"]=> string(46) "A detailed description of the POV documentary." 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What I Want My Words To Do To You offers an unprecedented look into the minds and hearts of the women inmates of New York's Bedford Hills Correctional Facility. The film goes inside a writing workshop led by playwright and activist Eve Ensler, consisting of 15 women, most of whom were convicted of murder. Through a series of exercises and discussions, the women delve into their pasts and explore the nature of their crimes and the extent of their own culpability. The film culminates in an emotionally charged prison performance of the women's writing by acclaimed actors Mary Alice, Glenn Close, Hazelle Goodman, Rosie Perez and Marisa Tomei. What I Want My Words To Do To You documents both the wrenching personal journeys undertaken by the inmates to find the words that tell their own stories, and the power of those words to move the outside world.

History of the Writing Group

In 1998, Obie-winner Ensler first visited the Bedford Hills Correctional Facility for Women. While she had long devoted her artistic and activist energies to helping homeless women and survivors of violence around the world, she had never before come into contact with women in prison. Ensler, who had previously taught at the university level, volunteered to be a writing instructor at Bedford. She quickly established powerful connections with the inmates. Ensler's method is not to distract the prisoners from their situation, but to ask them to go deeper into its causes, details and consequences. Ensler, known for her ability to get women to talk about things that would normally go unspoken, began her work at Bedford by creating a safe and contemplative environment for the women to explore the circumstances that had led them to prison. The writing group members confront the lives they've ruined, the families left behind and their own lives as they might have been. Gary Sunshine and film editor Madeleine Gavin (Sunday, Signs and Wonders, Manic) structured "What I Want My Words To Do To You" around the writing exercises that Ensler had assigned to the inmates. The exercises appear deceptively simple at first: inmates are asked to "Tell the facts of your crime." As the film progresses, the process of writing itself becomes a process of discovery and self-reflection. The inmates face painful truths about the choices that irrevocably changed the course of their lives. The filmmakers use the exercises — and the highly charged discussions they trigger — to reveal how much the women grapple with their own guilt. What resulted is a writing community that has flourished for over five years and continues to this day, due in large part to the remarkable trust the inmates place in Ensler. It has given rise to several theatrical performances of the inmates' writing, arranged by Ensler and playwright Gary Sunshine, that have been presented at the prison and at various other venues, including a benefit at Lincoln Center's Alice Tully Hall. A group of the country's top actors, including Mary Alice, Zoe Caldwell, Glenn Close, Ruby Dee, Hazelle Goodman, Marybeth Hurt, Phylicia Rashad, Rosie Perez and Marisa Tomei have donated their time and talent to these performances, some of which have raised significant funds for the prison's college education program. Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Genesis of the Documentary Judith Katz, a development executive for several film studios, attended an early performance of Ensler's workshop and was struck by the candor and lyricism of the inmates' work. She felt the writing profoundly challenged her idea of what a woman in prison was. Katz wanted this experience captured in a film. With the cooperation of Bedford Superintendent Elaine Lord, Directors of photography Dyanna Taylor (Common Threads) and Paul Gibson (Paris Is Burning) began to shoot sessions of Ensler's group, as well as the actors' performances. The inmates themselves, who reflect the vast political, economic, racial and educational diversity of the prison population, quickly learned to participate in the group as if the cameras were not present. The Documentary Participants in What I Want My Words To Do To You include: Throughout the film, the acclaimed group of actors appear briefly, performing excerpts of the inmates' exercises. Also included are short, revealing glimpses of a rehearsal session, during which the actors grapple with the approach to reading these texts. Here, Glenn Close admits that in her "actor's mind," she can imagine what murder might feel like, but connecting to the remorse of one woman who killed a senior citizen proves difficult. In the climax of the film, the writers, sitting among 300 of their fellow inmates in a sea of khaki green, listen as their words are read by the actors. The camera cuts back and forth between the performer and the writer, creating a complex dialogue that underscores the painful and necessary role the writing process has come to play in the inmates' struggle with their own guilt and responsibility. About the Programs at the Bedford Hills Correctional Facility In addition to the writing group, the Bedford Hills Correctional Facility operates several other programs, including: " ["post_title"]=> string(51) "What I Want My Words To Do To You: Film Description" ["post_excerpt"]=> string(46) "A detailed description of the POV documentary." 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What I Want My Words To Do To You offers an unprecedented look into the minds and hearts of the women inmates of New York's Bedford Hills Correctional Facility. The film goes inside a writing workshop led by playwright and activist Eve Ensler, consisting of 15 women, most of whom were convicted of murder. Through a series of exercises and discussions, the women delve into their pasts and explore the nature of their crimes and the extent of their own culpability. The film culminates in an emotionally charged prison performance of the women's writing by acclaimed actors Mary Alice, Glenn Close, Hazelle Goodman, Rosie Perez and Marisa Tomei. What I Want My Words To Do To You documents both the wrenching personal journeys undertaken by the inmates to find the words that tell their own stories, and the power of those words to move the outside world.

History of the Writing Group

In 1998, Obie-winner Ensler first visited the Bedford Hills Correctional Facility for Women. While she had long devoted her artistic and activist energies to helping homeless women and survivors of violence around the world, she had never before come into contact with women in prison. Ensler, who had previously taught at the university level, volunteered to be a writing instructor at Bedford. She quickly established powerful connections with the inmates. Ensler's method is not to distract the prisoners from their situation, but to ask them to go deeper into its causes, details and consequences. Ensler, known for her ability to get women to talk about things that would normally go unspoken, began her work at Bedford by creating a safe and contemplative environment for the women to explore the circumstances that had led them to prison. The writing group members confront the lives they've ruined, the families left behind and their own lives as they might have been. Gary Sunshine and film editor Madeleine Gavin (Sunday, Signs and Wonders, Manic) structured "What I Want My Words To Do To You" around the writing exercises that Ensler had assigned to the inmates. The exercises appear deceptively simple at first: inmates are asked to "Tell the facts of your crime." As the film progresses, the process of writing itself becomes a process of discovery and self-reflection. The inmates face painful truths about the choices that irrevocably changed the course of their lives. The filmmakers use the exercises — and the highly charged discussions they trigger — to reveal how much the women grapple with their own guilt. What resulted is a writing community that has flourished for over five years and continues to this day, due in large part to the remarkable trust the inmates place in Ensler. It has given rise to several theatrical performances of the inmates' writing, arranged by Ensler and playwright Gary Sunshine, that have been presented at the prison and at various other venues, including a benefit at Lincoln Center's Alice Tully Hall. A group of the country's top actors, including Mary Alice, Zoe Caldwell, Glenn Close, Ruby Dee, Hazelle Goodman, Marybeth Hurt, Phylicia Rashad, Rosie Perez and Marisa Tomei have donated their time and talent to these performances, some of which have raised significant funds for the prison's college education program. Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez Genesis of the Documentary Judith Katz, a development executive for several film studios, attended an early performance of Ensler's workshop and was struck by the candor and lyricism of the inmates' work. She felt the writing profoundly challenged her idea of what a woman in prison was. Katz wanted this experience captured in a film. With the cooperation of Bedford Superintendent Elaine Lord, Directors of photography Dyanna Taylor (Common Threads) and Paul Gibson (Paris Is Burning) began to shoot sessions of Ensler's group, as well as the actors' performances. The inmates themselves, who reflect the vast political, economic, racial and educational diversity of the prison population, quickly learned to participate in the group as if the cameras were not present. The Documentary Participants in What I Want My Words To Do To You include: Throughout the film, the acclaimed group of actors appear briefly, performing excerpts of the inmates' exercises. Also included are short, revealing glimpses of a rehearsal session, during which the actors grapple with the approach to reading these texts. Here, Glenn Close admits that in her "actor's mind," she can imagine what murder might feel like, but connecting to the remorse of one woman who killed a senior citizen proves difficult. In the climax of the film, the writers, sitting among 300 of their fellow inmates in a sea of khaki green, listen as their words are read by the actors. The camera cuts back and forth between the performer and the writer, creating a complex dialogue that underscores the painful and necessary role the writing process has come to play in the inmates' struggle with their own guilt and responsibility. About the Programs at the Bedford Hills Correctional Facility In addition to the writing group, the Bedford Hills Correctional Facility operates several other programs, including: " ["post_title"]=> string(51) "What I Want My Words To Do To You: Film Description" ["post_excerpt"]=> string(46) "A detailed description of the POV documentary." 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What I Want My Words To Do To You: Film Description

Eve Ensler conducting a writing workshop with inmates at Bedford Hills Correctional Facility in New York.

What I Want My Words To Do To You offers an unprecedented look into the minds and hearts of the women inmates of New York's Bedford Hills Correctional Facility. The film goes inside a writing workshop led by playwright and activist Eve Ensler, consisting of 15 women, most of whom were convicted of murder. Through a series of exercises and discussions, the women delve into their pasts and explore the nature of their crimes and the extent of their own culpability. The film culminates in an emotionally charged prison performance of the women's writing by acclaimed actors Mary Alice, Glenn Close, Hazelle Goodman, Rosie Perez and Marisa Tomei.

What I Want My Words To Do To You documents both the wrenching personal journeys undertaken by the inmates to find the words that tell their own stories, and the power of those words to move the outside world.

History of the Writing Group

In 1998, Obie-winner Ensler first visited the Bedford Hills Correctional Facility for Women. While she had long devoted her artistic and activist energies to helping homeless women and survivors of violence around the world, she had never before come into contact with women in prison.

Ensler, who had previously taught at the university level, volunteered to be a writing instructor at Bedford. She quickly established powerful connections with the inmates. Ensler's method is not to distract the prisoners from their situation, but to ask them to go deeper into its causes, details and consequences. Ensler, known for her ability to get women to talk about things that would normally go unspoken, began her work at Bedford by creating a safe and contemplative environment for the women to explore the circumstances that had led them to prison.

The writing group members confront the lives they've ruined, the families left behind and their own lives as they might have been. Gary Sunshine and film editor Madeleine Gavin (Sunday, Signs and Wonders, Manic) structured "What I Want My Words To Do To You" around the writing exercises that Ensler had assigned to the inmates. The exercises appear deceptively simple at first: inmates are asked to "Tell the facts of your crime." As the film progresses, the process of writing itself becomes a process of discovery and self-reflection. The inmates face painful truths about the choices that irrevocably changed the course of their lives. The filmmakers use the exercises -- and the highly charged discussions they trigger -- to reveal how much the women grapple with their own guilt.

What resulted is a writing community that has flourished for over five years and continues to this day, due in large part to the remarkable trust the inmates place in Ensler. It has given rise to several theatrical performances of the inmates' writing, arranged by Ensler and playwright Gary Sunshine, that have been presented at the prison and at various other venues, including a benefit at Lincoln Center's Alice Tully Hall. A group of the country's top actors, including Mary Alice, Zoe Caldwell, Glenn Close, Ruby Dee, Hazelle Goodman, Marybeth Hurt, Phylicia Rashad, Rosie Perez and Marisa Tomei have donated their time and talent to these performances, some of which have raised significant funds for the prison's college education program.

Actors Hazelle Goodman, Marisa Tomei, Glenn Close, Mary Alice and Rosie Perez

Genesis of the Documentary

Judith Katz, a development executive for several film studios, attended an early performance of Ensler's workshop and was struck by the candor and lyricism of the inmates' work. She felt the writing profoundly challenged her idea of what a woman in prison was. Katz wanted this experience captured in a film.

With the cooperation of Bedford Superintendent Elaine Lord, Directors of photography Dyanna Taylor (Common Threads) and Paul Gibson (Paris Is Burning) began to shoot sessions of Ensler's group, as well as the actors' performances. The inmates themselves, who reflect the vast political, economic, racial and educational diversity of the prison population, quickly learned to participate in the group as if the cameras were not present.

The Documentary

Participants in What I Want My Words To Do To You include:

Throughout the film, the acclaimed group of actors appear briefly, performing excerpts of the inmates' exercises. Also included are short, revealing glimpses of a rehearsal session, during which the actors grapple with the approach to reading these texts. Here, Glenn Close admits that in her "actor's mind," she can imagine what murder might feel like, but connecting to the remorse of one woman who killed a senior citizen proves difficult.

In the climax of the film, the writers, sitting among 300 of their fellow inmates in a sea of khaki green, listen as their words are read by the actors. The camera cuts back and forth between the performer and the writer, creating a complex dialogue that underscores the painful and necessary role the writing process has come to play in the inmates' struggle with their own guilt and responsibility.

About the Programs at the Bedford Hills Correctional Facility

In addition to the writing group, the Bedford Hills Correctional Facility operates several other programs, including: