Syria has always been at the heart of the post-World War II struggle for the Middle East. Prior to the start of the Arab Spring in 2011, however, it was viewed as one of the more stable countries in the region, with a strong, autocratic and youthful leader, President Bashar Al-Assad. That mask of stability has slipped and today, after seven years of violent conflict that has left hundreds of thousands of Syrians dead, the country is at the nexus of every tension in the region: Iran versus Saudi Arabia, the United States versus Russia and even Islamist extremism's resistance to secularism. Add the historical legacy of colonialism, as well as complex political systems that encompass tribal allegiances, monarchies, dictatorships and nascent democracies, and the complexity and horror of the ongoing war in Syria demands an examination of the ways in which policies play out in the real world.
Among current policy considerations for the countries bordering Syria, and increasingly nations farther afield, including the United States, are the ethics and efficacy of responding to atrocities committed in other countries and the challenge of absorbing millions of refugees. At the same time, nations are confronting the challenge of getting accurate information in an era of actual and imagined "fake news."
This lesson combines these global and media studies concerns by using clips from The War Show to deepen students' media analysis skills. It asks students to grapple with multiple types of news and information sources, including an examination of the ways in which documentary films can humanize statistics, policy statements and news reports.
Video clips provided with this lesson are from:
The War Show, a film about a group of friends in their twenties who risk standing up for justice by joining the Arab Spring protests and using cell phones to document events occurring across their country. As the turmoil increases, shifting from street protest to armed resistance, the group exposes government propaganda and attempts by Islamist extremists to co-opt efforts to establish a civil state.
The lesson can be done as a stand alone or in conjunction with lessons for
Dalya's Other Country (Syrian refugees; the choice to leave; featuring a mother and her high-school aged daughter who settle in the United States)
Last Men in Aleppo (men who become White Helmet rescue workers; the choice to stay and remain a civilian, even when trapped under bombardment and siege)
It is also an excellent complement to the lesson for POV's 2015 feature Return to Homs, which tells the story of armed resistance by the Free Syrian Army. Using all the films will give students a more diverse and comprehensive picture of Syria and the issues raised by the current situation.
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- Learn about the history and current status of the war in Syria
- Reflect on media issues related to the Arab Spring, including the ethics and reliability of citizen journalism, the creation of government propaganda and the stakes involved in controlling the narrative
- Consider the strengths and weaknesses of different types of news or information sources and understand why checking diverse sources is important
GRADE LEVELS: 9-12, college
Current Events, English/Language Arts, Global Studies, Information Literacy, Media Literacy/News Literacy, Political Science, Social Studies
- Internet access
- Film clips and equipment to show them
- Printed handouts of assigned news stories (if not reading on a tablet or computer screen)
ESTIMATED TIME NEEDED
2 class periods
NOTE: Several clips contain scenes that are graphic and disturbing. Please prepare students accordingly.
Trailer: https://www.youtube.com/watch?v=1xUGG8IHGLo (2:00 min.)
Provides an overview of the film; gives context for the clips.
Clip 1: "Meeting Obaidah and Amal" (2:12 min.)
The clip begins at 3:20 with a shot of a computer screen. It ends at 5:32 with Obaidah saying, "Amal had no fear."
Obaidah, the film's narrator, introduces her radio show and one of her devoted listeners, Amal, who risks her safety by using her phone to film street protests. Obaidah explains, "The regime's biggest fear were those who held cameras, so they were the first to be eliminated."
Clip 2: "Meeting Lulu" (1:15 min.)
The clip begins at 10:20 with an introductory shot of Lulu. It ends at 11:35, when the film cuts away from the demonstration footage.
Lulu participates in her first demonstration. Obaidah describes the ritual of disobedience.
Clip 3: "Meeting Rabea" (3:41 min.)
The clip begins at 12:30 with the line "Demonstrations turned into funerals." It ends with Rabea described as "the embodiment of true resistance."
We see demonstrations and the Assad government creating propaganda to convince Syrians that everything is fine and no one is dissatisfied. We hear about Rabea's arrest for being a heavy metal musician and how the government fought art with violence.
Clip 4: "From Protest to Armed Conflict" (3:50 min.)
The clip begins at 25:55 when Obaidah says, "The tragedy of death struck daily," and ends at 29:45 when she says, "Their own arms were now pointed back at them."
A young girl tearfully recalls an uncle who was shot and killed during a demonstration; a car explosion is erroneously blamed on government forces, which escalates protests. And we learn about one source of weapons.
Clip 5: "Friends Die" (2:34 min.)
The clip begins at 46:30 with Obaidah saying, "2012... became a year of terror." It ends at 49:04 when she asks, "Who will be next?"
We learn about members of Obaidah's small group of friends who were attacked, arrested and murdered. Rather than scaring away those who remain, this strengthens their resolve to stay.
Clip 6: "More Than One Enemy" (2:35 min.)
The clip begins at 1:11:16 with Obaidah in voiceover explaining that the government labeled everyone as terrorists and ends at 1:13:51 when she explains, "Hasan was assassinated by masked men."
Obaidah and friends are threatened by opponents to Assad who want to create an Islamic caliphate, rather than a civil society, in Syria. Now they are combatting two enemies.
Clip 7: "Epilogue" (3:35 min.)
The clip begins at 1:16:05 with the "Epilogue" slate and ends at 1:19:40 with Obaidah saying, "That was him, our friend."
We find out what happens to Amal, Lulu and Anonymous. The scene includes graphic photos of men murdered in Syrian prisons, including Anonymous.
Step 1: Introduction
Begin the lesson by asking students to quickly jot down their answers to this question: "If you had to find credible information about the current situation in Syria before class ended, where would you look?" After 15 seconds or so, invite students to share their answers. What types of sources did they list? Why do they believe those sources would be credible (and what is the basis for that belief)?
Step 2: Analysis Tool
Choose an analysis framework that suits the experience level of your students and review it with them:
- F.A.I.R.: Fair, Accurate, Inclusive (of essential context and perspectives) and Reasonable (logical)
- The CRAAP Test: Currency, Relevance, Authority, Accuracy and Purpose
- CARS: Credibility, Accuracy, Reasonableness and Support
- I'M VAIN: Independent versus self-interested; Multiple versus lone or sole source; Verifies rather than asserts; Authoritative/Informed versus uninformed sources; Named rather than unnamed sources
Step 3: Practice
To practice using the chosen framework and also learn about Syria, have students independently read:
"Why Is There a War in Syria?" (BBC, Apr. 7, 2017) www.bbc.com/news/world-middle-east-35806229 - This is a general background piece in the form of a Q&A.
Then, as a class or in small groups, ask students to use the analysis framework to examine the piece. Have students focus on identifying the specific evidence they use to reach conclusions about each aspect of the framework.
Step 4: Screen the Film Clips
To help students see how much a second, divergent source can add to the picture, introduce the film. Show the film trailer so students have context for the clips they'll see.
Then show the clips, pausing very briefly after each one for students to reflect on and process what they've seen.
After all clips have been shown, have students look again at the BBC backgrounder piece* and respond to the following:
- List key facts or assertions in the article that the film clips affirm.
- List key facts or assertions in the article that the film clips contradict.
- What insight does seeing/hearing an individual human story add? What do you know or understand now that you didn't after only reading the article?
* Less advanced students might reexamine only one Q&A section, with different small groups covering different segments of the backgrounder and then sharing their results.
Step 5: Discussion
Review responses and discuss what types of information (both factual and emotional) a documentary can convey that a typical news story does not. Help students see what they miss if they look only at headlines or brief summaries.
OPTIONAL Step 6: Practice
Assign students to analyze a second information source, using the news analysis framework and also considering how a documentary adds to what an information source says. Select a source that is different in form from both the BBC overview and the documentary film. Use your own source or Wikipedia: Social Media and the Arab Spring.
Step 7: Wrap-Up
Have students do a short free write: "What I learned today (or from this lesson) about Syria is... and that matters because..."
As time allows, invite students who are willing to share what they wrote with the class to do so. Discuss the connections to current policy debates over use of military force, regime change, and other possible responses to atrocities in Syria.
Repeat the lesson with Dalya's Other Country and/or Last Men in Aleppo. Also consider following up with the lesson from Return to Homs (http://www.pbs.org/pov/returntohoms/lesson-plan/).
Imagine that you are one of the young people featured in one of the films. It's seventy years in the future and you are now a great-grandparent. Your descendants are looking back on the destruction of Syria and asking what you did and why. Write a letter to them that explains your choice to stay/leave, how you saw the situation, what was most important to you.
Hold a pro/con debate: Armed revolution is superior to nonviolent civil disobedience in response to leaders like Bashar Al-Assad who are willing to commit atrocities against their own people.
Choose a public policy issue related to Syria (e.g., the United States should send ground troops to protect Syrian civilians, or the United States should accept more Syrian refugees) and ask students to research it and write policy briefs reflecting their own conclusions. Have students share their briefs with their members of Congress and/or the president.
Read a novel or poem by a Syrian author. Compare stories told in print to those told in documentaries like the ones in the lesson. Check: https://arablit.org/for-teachers/syrian-writers/ or https://theculturetrip.com/middle-east/syria/articles/10-syrian-writers-you-should-know/ for suggested books.
Dalya's Other Country: http://www.pbs.org/pov/dalyasothercountry
The War Show: http://www.pbs.org/thewarshow
Last Men in Aleppo: http://www.pbs.org/pov/lastmeninaleppo
Return to Homs: http://www.pbs.org/pov/returntohoms
4.1 Miles: http://www.pbs.org/pov/4point1miles
From Damascus to Chicago: http://pbs.org/pov/fromdamascustochicago
The sites include general discussion guides with additional activity ideas and resources.
POV: Media Literacy Questions for Analyzing POV Films
This list of questions provides a useful starting point for leading rich discussions that challenge students to think critically about documentaries.
Factcheck.org: "How to Spot Fake News"
A project of the Annenberg Public Policy Center, this website aims to help readers identify propaganda and untruths.
NPR: "Fake or Real:? How to Self-Check the News and Get the Facts"
Wynne Davis provides guidance for readers trying to discern reliably sourced news from propaganda.
Project Look Sharp
This media literacy initiative offers lesson plans and materials for teaching media literacy.
School Library Journal: "The Smell Test: Educators Can Counter Fake News with Information Literacy. Here's How"
In this article, Linda Jacobson explains how educators can counteract propaganda by teaching information literacy.
School Library Journal: "Truth, Truthiness, Triangulation: A News Literacy Toolkit for a 'Post-Truth' World"
Joyce Valenza provides tools for reading reporting and analyzing its truthfulness.
The Guardian: "Arab Spring: An Interactive Timeline of Middle East Protests"
This timeline of the events of the Arab uprisings and government responses includes events in Syria.
Institute for War and Peace Reporting: "Syria Stories"
This website offers reports and blog posts from Syrian citizen-journalists, with a focus on women's stories.
United Nations Human Rights Office of the High Commissioner: "Independent International Commission of Inquiry on the Syrian Arab Republic"
This website provides reports about the Syrian conflict from the United Nations on an ongoing basis.
U.S. Department of State: Syria
This official U.S. government website offers an overview of U.S.-Syrian relations, including a set of links to additional information on Syria.
Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science and Technical Subjects (http://www.corestandards.org/assets/CCSSI_ELA%20Standards.pdf)
Evaluate various explanations for actions or events and determine which explanation best accords with textual evidence, acknowledging where the text leaves matters uncertain.
Analyze in detail how a complex primary source is structured, including how key sentences, paragraphs and larger portions of the text contribute to the whole.
Evaluate authors' differing points of view on the same historical event or issue by assessing the authors' claims, reasoning and evidence.
Integrate and evaluate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, as well as in words) in order to address a question or solve a problem.
Evaluate an author's premises, claims and evidence by corroborating or challenging them with other information.
Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups and teacher-led) with diverse partners on grades 11-12 topics, texts and issues, building on others' ideas and expressing their own clearly and persuasively.
Integrate multiple sources of information presented in diverse formats and media (e.g., visually, quantitatively, orally) in order to make informed decisions and solve problems, evaluating the credibility and accuracy of each source and noting any discrepancies among the data.
Present information, findings and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed and the organization, development, substance and style are appropriate to purpose, audience and a range of formal and informal tasks.
Adapt speech to a variety of contexts and tasks, demonstrating a command of formal English when indicated or appropriate.
Use precise language and domain-specific vocabulary to manage the complexity of the topic.
Use precise language, domain-specific vocabulary and techniques such as metaphor, simile and analogy to manage the complexity of the topic.
Content Knowledge: (http://www.mcrel.org/standards-benchmarks/) a compilation of content standards and benchmarks for K-12 curriculum by McREL (Mid-continent Research for Education and Learning).
Language Arts, Standard 1: Uses the general skills and strategies of the writing process.
Language Arts, Standard 2: Uses the stylistic and rhetorical aspects of writing.
Language Arts, Standard 8: Uses listening and speaking strategies for different purposes.
Language Arts, Standard 9: Uses viewing skills and strategies to understand and interpret visual media.
ABOUT THE AUTHOR
Faith Rogow, Ph.D., is the co-author of The Teacher's Guide to Media Literacy: Critical Thinking in a Multimedia World (Corwin, 2012) and was president of the National Association for Media Literacy Education. She has written discussion guides and lesson plans for more than 250 independent films.