POV
object(WP_Query)#7032 (51) { ["query"]=> array(3) { ["name"]=> string(3) "bio" ["pov_film"]=> string(9) "elgeneral" ["amp"]=> int(1) } ["query_vars"]=> array(66) { ["name"]=> string(3) "bio" ["pov_film"]=> string(9) "elgeneral" ["amp"]=> int(1) ["error"]=> string(0) "" ["m"]=> string(0) "" ["p"]=> int(0) ["post_parent"]=> string(0) "" ["subpost"]=> string(0) "" ["subpost_id"]=> string(0) "" ["attachment"]=> string(0) "" ["attachment_id"]=> int(0) ["static"]=> string(0) "" ["pagename"]=> string(0) "" ["page_id"]=> int(0) ["second"]=> string(0) "" ["minute"]=> string(0) "" ["hour"]=> string(0) "" ["day"]=> int(0) ["monthnum"]=> int(0) ["year"]=> int(0) ["w"]=> int(0) ["category_name"]=> string(0) "" ["tag"]=> string(0) "" ["cat"]=> string(0) "" ["tag_id"]=> string(0) "" ["author"]=> string(0) "" ["author_name"]=> string(0) "" ["feed"]=> string(0) "" ["tb"]=> string(0) "" ["paged"]=> int(0) ["meta_key"]=> string(0) "" ["meta_value"]=> string(0) "" ["preview"]=> string(0) "" ["s"]=> string(0) "" ["sentence"]=> string(0) "" ["title"]=> string(0) "" ["fields"]=> string(0) "" ["menu_order"]=> string(0) "" ["embed"]=> string(0) "" ["category__in"]=> array(0) { } ["category__not_in"]=> array(0) { } ["category__and"]=> array(0) { } ["post__in"]=> array(0) { } ["post__not_in"]=> array(0) { } ["post_name__in"]=> array(0) { } ["tag__in"]=> array(0) { } ["tag__not_in"]=> array(0) { } ["tag__and"]=> array(0) { } ["tag_slug__in"]=> array(0) { } ["tag_slug__and"]=> array(0) { } ["post_parent__in"]=> array(0) { } ["post_parent__not_in"]=> array(0) { } ["author__in"]=> array(0) { } ["author__not_in"]=> array(0) { } ["ignore_sticky_posts"]=> bool(false) ["suppress_filters"]=> bool(false) ["cache_results"]=> bool(true) ["update_post_term_cache"]=> bool(true) ["lazy_load_term_meta"]=> bool(true) ["update_post_meta_cache"]=> bool(true) ["post_type"]=> string(0) "" ["posts_per_page"]=> int(10) ["nopaging"]=> bool(false) ["comments_per_page"]=> string(2) "50" ["no_found_rows"]=> bool(false) ["order"]=> string(4) "DESC" } ["tax_query"]=> NULL ["meta_query"]=> object(WP_Meta_Query)#7136 (9) { ["queries"]=> array(0) { } ["relation"]=> NULL ["meta_table"]=> NULL ["meta_id_column"]=> NULL ["primary_table"]=> NULL ["primary_id_column"]=> NULL ["table_aliases":protected]=> array(0) { } ["clauses":protected]=> array(0) { } ["has_or_relation":protected]=> bool(false) } ["date_query"]=> bool(false) ["queried_object"]=> object(WP_Post)#7138 (24) { ["ID"]=> int(1462) ["post_author"]=> string(1) "1" ["post_date"]=> string(19) "2010-01-15 12:15:00" ["post_date_gmt"]=> string(19) "2010-01-15 17:15:00" ["post_content"]=> string(1057) "

Natalia AlmadaNatalia Almada's directing credits include the experimental short "All Water Has a Perfect Memory" and Al Otro Lado (POV 2006), her award-winning debut feature documentary about immigration, drug trafficking and corrido music. Her work has screened at the Sundance Film Festival, the Museum of Modern Art, the Guggenheim Museum and the Whitney Biennial, as well as at international film festivals, universities and conferences and on television networks such as PBS, ARTE and VPRO. Almada is a MacDowell Colony Fellow and a 2008 Guggenheim Fellow. Her awards include U.S. Directing Award at Sundance in 2009 and Best Documentary Feature at Cine Las Americas in 2009. She earned a master of fine arts in photography from the Rhode Island School of Design and divides her time between Mexico City and Brooklyn, N.Y.

" ["post_title"]=> string(25) "El General: Filmmaker Bio" ["post_excerpt"]=> string(57) "Learn more about Natalia Almada, filmmaker of El General." ["post_status"]=> string(7) "publish" ["comment_status"]=> string(4) "open" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(3) "bio" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2016-06-23 15:45:14" ["post_modified_gmt"]=> string(19) "2016-06-23 19:45:14" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(48) "http://www.pbs.org/pov/index.php/2010/07/20/bio/" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } ["queried_object_id"]=> int(1462) ["request"]=> string(466) "SELECT wp_posts.* FROM wp_posts JOIN wp_term_relationships ON wp_posts.ID = wp_term_relationships.object_id JOIN wp_term_taxonomy ON wp_term_relationships.term_taxonomy_id = wp_term_taxonomy.term_taxonomy_id AND wp_term_taxonomy.taxonomy = 'pov_film' JOIN wp_terms ON wp_term_taxonomy.term_id = wp_terms.term_id WHERE 1=1 AND wp_posts.post_name = 'bio' AND wp_posts.post_type = 'post' AND wp_terms.slug = 'elgeneral' ORDER BY wp_posts.post_date DESC " ["posts"]=> &array(1) { [0]=> object(WP_Post)#7138 (24) { ["ID"]=> int(1462) ["post_author"]=> string(1) "1" ["post_date"]=> string(19) "2010-01-15 12:15:00" ["post_date_gmt"]=> string(19) "2010-01-15 17:15:00" ["post_content"]=> string(1057) "

Natalia AlmadaNatalia Almada's directing credits include the experimental short "All Water Has a Perfect Memory" and Al Otro Lado (POV 2006), her award-winning debut feature documentary about immigration, drug trafficking and corrido music. Her work has screened at the Sundance Film Festival, the Museum of Modern Art, the Guggenheim Museum and the Whitney Biennial, as well as at international film festivals, universities and conferences and on television networks such as PBS, ARTE and VPRO. Almada is a MacDowell Colony Fellow and a 2008 Guggenheim Fellow. Her awards include U.S. Directing Award at Sundance in 2009 and Best Documentary Feature at Cine Las Americas in 2009. She earned a master of fine arts in photography from the Rhode Island School of Design and divides her time between Mexico City and Brooklyn, N.Y.

" ["post_title"]=> string(25) "El General: Filmmaker Bio" ["post_excerpt"]=> string(57) "Learn more about Natalia Almada, filmmaker of El General." ["post_status"]=> string(7) "publish" ["comment_status"]=> string(4) "open" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(3) "bio" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2016-06-23 15:45:14" ["post_modified_gmt"]=> string(19) "2016-06-23 19:45:14" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(48) "http://www.pbs.org/pov/index.php/2010/07/20/bio/" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } } ["post_count"]=> int(1) ["current_post"]=> int(-1) ["in_the_loop"]=> bool(false) ["post"]=> object(WP_Post)#7138 (24) { ["ID"]=> int(1462) ["post_author"]=> string(1) "1" ["post_date"]=> string(19) "2010-01-15 12:15:00" ["post_date_gmt"]=> string(19) "2010-01-15 17:15:00" ["post_content"]=> string(1057) "

Natalia AlmadaNatalia Almada's directing credits include the experimental short "All Water Has a Perfect Memory" and Al Otro Lado (POV 2006), her award-winning debut feature documentary about immigration, drug trafficking and corrido music. Her work has screened at the Sundance Film Festival, the Museum of Modern Art, the Guggenheim Museum and the Whitney Biennial, as well as at international film festivals, universities and conferences and on television networks such as PBS, ARTE and VPRO. Almada is a MacDowell Colony Fellow and a 2008 Guggenheim Fellow. Her awards include U.S. Directing Award at Sundance in 2009 and Best Documentary Feature at Cine Las Americas in 2009. She earned a master of fine arts in photography from the Rhode Island School of Design and divides her time between Mexico City and Brooklyn, N.Y.

" ["post_title"]=> string(25) "El General: Filmmaker Bio" ["post_excerpt"]=> string(57) "Learn more about Natalia Almada, filmmaker of El General." ["post_status"]=> string(7) "publish" ["comment_status"]=> string(4) "open" ["ping_status"]=> string(6) "closed" ["post_password"]=> string(0) "" ["post_name"]=> string(3) "bio" ["to_ping"]=> string(0) "" ["pinged"]=> string(0) "" ["post_modified"]=> string(19) "2016-06-23 15:45:14" ["post_modified_gmt"]=> string(19) "2016-06-23 19:45:14" ["post_content_filtered"]=> string(0) "" ["post_parent"]=> int(0) ["guid"]=> string(48) "http://www.pbs.org/pov/index.php/2010/07/20/bio/" ["menu_order"]=> int(0) ["post_type"]=> string(4) "post" ["post_mime_type"]=> string(0) "" ["comment_count"]=> string(1) "0" ["filter"]=> string(3) "raw" } ["comment_count"]=> int(0) ["current_comment"]=> int(-1) ["found_posts"]=> int(1) ["max_num_pages"]=> int(0) ["max_num_comment_pages"]=> int(0) ["is_single"]=> bool(true) ["is_preview"]=> bool(false) ["is_page"]=> bool(false) ["is_archive"]=> bool(false) ["is_date"]=> bool(false) ["is_year"]=> bool(false) ["is_month"]=> bool(false) ["is_day"]=> bool(false) ["is_time"]=> bool(false) ["is_author"]=> bool(false) ["is_category"]=> bool(false) ["is_tag"]=> bool(false) ["is_tax"]=> bool(false) ["is_search"]=> bool(false) ["is_feed"]=> bool(false) ["is_comment_feed"]=> bool(false) ["is_trackback"]=> bool(false) ["is_home"]=> bool(false) ["is_404"]=> bool(false) ["is_embed"]=> bool(false) ["is_paged"]=> bool(false) ["is_admin"]=> bool(false) ["is_attachment"]=> bool(false) ["is_singular"]=> bool(true) ["is_robots"]=> bool(false) ["is_posts_page"]=> bool(false) ["is_post_type_archive"]=> bool(false) ["query_vars_hash":"WP_Query":private]=> string(32) "97150346e5198a4de933d87d7b403df2" ["query_vars_changed":"WP_Query":private]=> bool(false) ["thumbnails_cached"]=> bool(false) ["stopwords":"WP_Query":private]=> NULL ["compat_fields":"WP_Query":private]=> array(2) { [0]=> string(15) "query_vars_hash" [1]=> string(18) "query_vars_changed" } ["compat_methods":"WP_Query":private]=> array(2) { [0]=> string(16) "init_query_flags" [1]=> string(15) "parse_tax_query" } }

El General: Filmmaker Bio

POV

Natalia Almada's directing credits include the experimental short "All Water Has a Perfect Memory" and Al Otro Lado (POV 2006), her award-winning debut feature documentary about immigration, drug trafficking and corrido music. Her work has screened at the Sundance Film Festival, the Museum of Modern Art, the Guggenheim Museum and the Whitney Biennial, as well as at international film festivals, universities and conferences and on television networks such as PBS, ARTE and VPRO. Almada is a MacDowell Colony Fellow and a 2008 Guggenheim Fellow. Her awards include U.S. Directing Award at Sundance in 2009 and Best Documentary Feature at Cine Las Americas in 2009. She earned a master of fine arts in photography from the Rhode Island School of Design and divides her time between Mexico City and Brooklyn, N.Y.