- Doc Memo: Oasis Doc Unveiled, Should Nonfiction Films Have Footnotes?
POV's daily list of essential reading for the documentary and independent filmmaking community.
- Doc Memo: 5 Questions with 'The Witness' Director, Preview of Garrett Scott Filmmaking Grant Winners
POV's daily list of essential reading for the documentary and independent filmmaking community.
- Homegoings: New Ways to Watch on Vimeo
Homegoings will be available for digital rental through Vimeo on Demand starting February 18, 2014.
- With DOC RED, A Hope for Mexican Documentary Filmmakers
Faced with limited distribution options, Mexico's documentary filmmakers have banded together. POV Intern and DOC RED member Melissa Saucedo reports back from a recent meeting.
- For Filmmakers: DIY Digital Distribution Platforms
So you've made your film... Now you start the biggest challenge of them all: getting it seen. We've complied a list of digital self-distribution platforms and asked each one why documentary filmmakers should pick their service over all the others.
- Two Documentaries You Might Never See (Because the Directors Won't Change Their Titles)
Michal Marczak and Amit Virmani made two of the best documentaries Tom Roston has seen this year. Never heard of them? It might be because of their titles.
- Lucy Winer (“Kings Park”) on Making a Career in Documentary Filmmaking
The filmmaker of Rate It X and Golden Threads is wiser after releasing many documentaries the "traditional way" and has turned to a new model for making a living as an independent filmmaker.
- Doc Soup: 'Stories We Tell' Heads to Theaters
Tom Roston reflects on Sarah Polley's 'Stories We Tell' after a first weekend of box office success.
- Vimeo Is All About Filmmakers With Its New Self-Distribution Service
Vimeo announced its new self-distribution service on Tuesday, so how does it work? Is it easy to use?
- Seed&Spark: Introducing a New Platform and Ecosystem for Independent Film
This Saturday, December 1, Seed&Spark will roll out its platform, aiming to provide a whole new ecosystem for the funding and distribution of independent films.
- Thom Powers on SundanceNOW's Doc Club
The indie film and documentary lovers over at SundanceNOW cooked up a fun idea, a doc club -- you know, like a book club. It's an engaging way of trying to wed the exploding world of online viewing and the many people who are passionate about watching documentaries.
- Could More Docs Be Box Office Contenders With Larger Distribution?
Ai Weiwei: Never Sorry, The Imposter, and Searching for Sugar Man have had impressive earnings at the box office recently, which begs the question: could these have been big box office contenders with a larger distribution and marketing campaign?
- Why Ewing & Grady Are Choosing to Self-Distribute 'Detropia'
The filmmaking team behind The Boys of Baraka, Jesus Camp and 12th & Delaware tells Doc Soup Man why they're self-distributing their new documentary, the lyrical Detropia.
- 6 Golden Rules for Filmmakers on Social Media
What's the best way to ensure success online? Read six tips for engaging your audience from Elisabeth Holm (Kickstarter), Gary Hustwit (Helvetica), Julie La'Bassiere (FilmBuff) and Mike Knowlton (StoryCode, Murmur).
- Getting Your Film on Public Television: A Twitter Chat with POV Series Producer Yance Ford
Join the #docchat Twitter chat on Wednesday, April 25, 2012, at 7 PM Eastern. POV Series Producer Yance Ford will answer questions about how filmmakers can navigate the public TV submission process.
- What DIY Film Distributors Can Learn from the Launch of the Joffrey Documentary
Sheri Candler and Jon Reiss offered tips for getting a documentary to a niche group of viewers who might not be found through a traditional film distribution channel.
- Sundance 2012: The Man Behind the Docs Selling at Sundance
So far, who’s the most important person in docs at Sundance this year? A festival organizer? A doc subject? A director? Or none of the above?
- The Elusive 'General' Audience
In a second post in a series on finding an audience for your documentary, Edward J. Delaney looks at how an emphasis on your film's storyline can help you grow your audience beyond a small core of fans.