Watching films in Columbia, Missouri is way nicer than being stranded at the St. Louis airport. So despite the splendid company of filmmaker Esther Robinson and composer T. Griffin while waiting for my flight Monday night, I am glad to be home.
My first impressions of True/False, which I noted here last Friday, were pretty straightforward: friendly, easy to navigate, lacking pretension, etc. There are other aspects to my True/False experience worth noting as well:
The Audiences
The quality of festival Q&As is often a matter of chance. Sometimes the lights come up on movies I loved and not a single meaningful question is asked. Sometimes it’s the opposite. At True/False, the audiences engaged film directors in meaningful discussion after every screening. After moderating the Q&A for five films, I can say that the True/False audiences are some of the most engaged on the festival circuit. This kind of audience made the T/F experience richer for directors and a lot of fun for us all.
The College Students
I will NEVER understand how so many young women can go out in the freezing cold wearing so little clothing. Really. I fantasized about going around to the local bars passing out True/False postcards with the diptych: “This is your brain. This is your brain on film.” Picture on the left: barefoot student walking down East Broadway in 19 degree weather. Picture on the right: student cozy in the Ragtag Theater watching, say, Loot. Get it together, people!
The Marching Band
The Swamis
The Panels
As a “Ringleader,” my schedule made it tough to catch all the panels I wanted to see, but I did get to attend Kim Longinotto and Ollie Huddleston‘s panel on their director/editor relationship. The “Kim and Ollie Show,” as it was called, felt more like a master class than a panel. The nearly two-hour exchange featured clips from Hold Me Tight, Let Me Go (POV 2009), Rough Aunties, and Sisters in Law, with set-up comments from Longinotto and Huddleston. Their collaboration is one built on trust, deepened by a shared sensitivity for the range of human experience and a passion for storytelling. Ollie has a deep and abiding respect for Longinotto’s ability to capture brutally honest, brutally human moments on camera, which leads him to put “space” around these moments in his editing process, allowing the audience to absorb their impact.
The excerpt from Rough Aunties was a perfect example of that. The clip begins with the women of Operation Bobbi Bear responding to the scene of a home invasion in Durban, South Africa, where a man has been shot. Huddleston begins the scene with one of the aunties, Jackie, asking seemingly mundane questions of the shooting victims’ daughter. With the little girl on her knee, Jackie asks her if she’s hungry, if she’s scared, if she’d talk to her friend; then a psychologist tells the little girl how brave she’s been as she offers her a cup of tea. Only then does the girl recount the break-in: How her father confronted the robbers and was shot, how her mother fought the robbers, and was shot at with an empty gun. It’s incredible stuff, made more so because of Longinotto’s patience on location and Huddleston’s patience with the scene in the edit. Visit the Rougie Aunties website for information on where you can see the film.
Paul Sturtz and David Wilson
At the helm of an army of volunteers and amazing staff (The Inner Core), David and Paul have a created a gem of a festival.
Congratulations, True/False — and see you next year!