What a relief. In a world gone mad, it sort of figures that the Academy Awards would start making sense. To wit: the Oscar nominees announced this week for Best Feature Documentary make up an exemplary list of the year’s best, more relevant documentaries:
The biggest surprise was that Weiner, one of the most successful, best reviewed and ridiculously on point documentaries of the year, didn’t make the cut. Perhaps the Academy voters want to move on from the election. I think it’s a glaring omission, but I’m not going to whine about it because the five nominated films are all heartfelt, intelligent and engaging. They are also all more cinematic or epic than Weiner.
I’m also happy to see that there are no lay-up, feel-good documentaries here, like 2013’s Oscar-winning 20 Feet from Stardom.
Having won so many critical awards so far, ESPN’s groundbreaking O.J.: Made in America is clearly the leader of the pack. But will its length and multi-part format — few have seen the film in a theater in one sitting — hamper its appeal with the theatrically-inclined Academy voters? If so, Ava DuVernay’s 13TH could be in the running. Sure, that documentary is put out by a streaming company, Netflix, but that same outlet manages to put on very effective Oscar campaigns.
Actually, I think O.J.‘s biggest competition is a dark horse: Life, Animated, directed by Roger Ross Williams. I’ll be writing another post to explain my Oscar predictions closer to the ceremony in February.
For now, let’s just revel in an A-list of contenders. I encourage everyone to watch these films. And while you’re at it, check out the stellar nominees for Best Documentary Short Subject this year. They are:
I can’t recall a stronger list of shorts nominees. I haven’t seen Watani: My Homeland yet, but the other four films either had me on the edge of my seat or in tears. This shorts race will be as heated as the feature one. And that’s a good thing.
Congratulations to all the nominated filmmakers!