I know there are many people — as you’ll see going ga-ga in this film — who consider Izzard the greatest comic of our time. So, it is for them that I post the following Q & A with Believe director Sarah Townshend and Mr. Izzard himself. Who knew he was a World War II doc fan?
Doc Soup: Please tell me a little about how your relationship with Eddie evolved from the beginning.
Sarah Townshend: I met Eddie [about 20 years ago] when I was running a theatre at the Edinburgh Festival and he was looking to perform there. I was immediately engaged by his quirky sense of humour, which then turned into a lasting friendship. Over the years we developed a mutual understanding of each other and each other’s work, which I think shows in Believe. I felt there was a side to Eddie that people would not see unless it was told in a forum such as this. The side of him which is hard working, resilient, and which never slows down. It is the side which isn’t often shown and which I think many people will relate to.
How did your relationship change while you made the film?
Townsend: In the course of any filmmaking process (whether it be a feature film, a documentary, a short film, etc.), the relationships of those working together will change. You learn things about people while under pressure that you would have never expected to. My relationship with everyone on this project altered over the course of the process; they became stronger, more versatile and I gained a greater understanding and respect for everyone involved. With Eddie, I became more in tune with his path, and with his struggles. It made me realize the greater connection we all have to one another as human beings.
What sort of an editing process did you go through with Eddie — did you show him cuts of the film, and did he give you notes? If so, what sort of notes did he give you?
Townsend I have an absolutely wonderful editor (Angela Vargos) whom I worked with on this project for Halyon Films. She and I fine-tuned the piece over many months to what you see in its final product. And of course, we included Eddie on all the relevant parts. He seemed very happy with the progress of the documentary and did not have much critique except the occasional correction of dates. He trusted the process, and more importantly trusted Angela and myself. I could not have been happier with the way it worked out.
And now, ladies and gentlemen, I present…Mister Eddie Izzard!
What was it like to have Sarah around you shooting the doc?
Eddie Izzard: I knew Sarah Townsend was a good director, so I was fine having her there filming the documentary. She always seemed to know what she was after — filming wise — and so I could just let her get on with it and see where it led us to. I wanted to see what sort of story came out of the project.
You are used to digging into your own life for material, but what was it like letting someone else do the same?
Izzard: I was happy to have someone I knew and trusted artistically digging around into my life as I wanted the doc to explain and reveal but still be entertaining. I have tried hard to do things during my life to make myself more interesting or diverse and it was good to see in Believe all those efforts turn into a story.
Are you a fan of documentaries? If so, what sort do you like and what are some of your favorites?
Izzard: I do like documentaries and I watch a lot of them. A good deal of them are TV documentaries about history and archaeology and a massive amount are on the subject of WWII. This is because I think if you study the past and work out what we keep repeating as humans, you can get a handle on the future.