Here are some doc-related links and musings that are on my mind:
Other POVers who are on the ground at the ongoing Sundance are better placed than I am to discuss what’s hot and what’s not at the film festival. So this year, I’m reading about it from afar, and something in The New York Times caught my eye. The Times‘ Michael Cieply discusses how pumped crowds have been at the doc screenings, and yet we’ve heard over and over again how they’re box office poison. I just have to wonder: when will some distributor/film company/doc guru learn to corral the sort of energy that I myself have seen so many times at doc screenings at festivals, and bring it to the masses? Or is this enthusiasm for documentaries fated to be a film fest phenomenon only?
Forgive me, but I want to yet again put a good word in for the sublime documentary, The Betrayal (Nerakhoon), directed by Ellen Kuras. I wrote about it at Sundance last year and then again to plug its impressive score. Now, the occasion is an article about Kuras and the film I wrote for the Los Angeles Times that ran this week. We shall see if Betrayal will make it to the Oscar list of five this week…
And, last, I wanted to alert you to another recent piece in the New York Times, this one about how people are using YouTube as a research tool, encroaching on the go-to Google (YouTube’s parent company) for all information-based searches. The article is, I think, very timely and could spell great things for how people will be using the documentary form in the future. Really, it’s about how our culture will be changing, and how documentaries can evolve alongside. Now, the real trick is figuring out how can doc filmmakers make money off having their films on YouTube… What are your thoughts? Let us know what kind of impact you think the growth of YouTube might have on documentary filmmaking in the comments below.

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Tom Roston
Tom Roston is a guest columnist for POV's documentary blog. He is a former Premiere magazine senior editor, who graduated from Brown University and started his career in journalism at The Nation and then Vanity Fair. Tom's freelance work has appeared in The New York Times, The Guardian, The Los Angeles Times, The Hollywood Reporter and other publications. He has written several Kindle Singles, including the bestselling Kindle Singles Interview: Ken Burns. Tom's current list of favorite documentaries are: 1. Koyanisqaatsi by Godfrey Reggio; 2. Hoop Dreams by Steve James; 3.Stories We Tell by Sarah Polley; 4.Crumb by Terry Zwigoff; 5. Montage of Heck by Brett Morgen